Sean McAllister » Page 17

Author: Sean McAllister

Documentary Filmmaker from Hull, England, specialises in giving the voiceless a voice

Salarymen

Salarymen old and new have made this country what it is. But what a price to pay.

Today I went to the poorest district of Tokyo called San Ya. Here homeless Japanese live on the streets. It was like walking into the backstreet’s of China not modern Japan. I was approached in a friendly way by gangs of men standing on street corners drinking Sake and beer.

These men’s misfortune came after the last recession in the late 1980`s. It is difficult to imagine that they were salarymen who believed they had jobs and pensions for life. For them, the collapse of the company meant not only a great personal loss but a mighty fall from grace. Funny that this area is the only place I’ve seen alcohol sold from machines in the streets. It felt like a caring gesture from this bustling economy to give something back to these men who had given their lives to Japan. Like anyone living on the street the alcohol numbs the cold and the pain of the past, but unlike homeless people in other countries the homeless in Japan still get up and go to work each day.

These men queue for whatever work they can get, employed on a daily basis, they said they can earn 8000 Yen for a days work, about $70, or £40. They sleep in day hotels that cost about 2200 Yen £12 a night if they are lucky… more often than not they live in cardboard boxes on the streets that have become their homes. Most of them have lost their families. I watch them standing around sipping from little cups of Sake bought from vending machines in the streets.

In the posh part of Tokyo where I stay I’ve also been watching the armies of modern day salarymen, visible by their black coats suits and ties, file in and out of trains, coffee shops, restaurants. I watch them sleep standing up in packed trains as they make their way home late at night. They often work 12, 14, 16 or 18 hours a day. It is their commitment and hard work that has made Japan successful. An economic army who work what ever hours are needed. I read today that the country is set to grow by 5% this year, coming out of recession with a vengeance. You can see why when you observe the salarymen and office lady’s whose dedication is at the heart of Japan’s success.

Being in Japan really makes me wonder about the quality of life. To me life seems hard in the world’s second largest economy – where the minimum wage is set at 750 Yen for one hour (about £5) and where the Governments set maximum working day is supposed to be 8 hours, but people regularly work 12 , 14, 16 ,18 hours. I was drinking at 2am in a bar last night (this morning) and got a call from Mayumi the office fixer, she was still working – as was the whole office!

Society here steamrolls ahead, this powerful economy is all about moving forward at whatever cost. It never stops to question or take heed from the past, it just moves ahead.

But wealth comes with a price. The obvious despair of the homeless salarymen is hard to accept in a country so rich. It is difficult to imagine them wearing the black suits and ties today. They look like any other drunk in any other country now.

The plight of the homeless salarymen and the tired army of modern day salarymen reminds me of a quote I read before coming here, ‘Japan has one foot in the future, one foot in the past and nothing in the present’.

Today it feels true.

Mr. Matsui’s Office

Fuck another night on the town, traipsing through the sex-filled streets of Shibuya in the beautiful snow, filming world famous Russian documentary film-maker Victor Kosakovskiy (the second film maker to arrive). We are four in total, we all need to get our ideas in to NHK Japan by the beginning of March.

Me and Victor were drunk, filming all the gorgeous women in the red light district… in and out of bars, sake and strong japanese spirit followed by gin and tonics and and and…

I haven’t been back to my little school, I wanted to find something new, I’m still discovering Japan. I want to really find someone I can talk to, someone I can have a dialogue with… pose questions about this crazy society… answer the anxieties that i’ve been building up in my mind over these last 4 weeks. Find someone who is smart and not so subservient like all the Japanese seem to be…

I began filming the production office who are helping make these films in Tokyo. The kind hearted producer Mr. Matsui, “Hello Mr. Sean… you are very welcome…” he took the camera off me and filmed me, introducing me to all his staff. Please meet Miss Mayumi (23 year old assistant) and Mr. Jimbo (23 year old male assistant).

I love the office, it is the other side of Japan for me. Not high tech or clinically clean – it is full of old clunky VHS editing suites and has a wonderful dirty floor. Papers all over, staff smoking at their desk… So this is modern japan? This where Japan the 1st world nation meets Japan the 3rd world mentality…

wow…

I cannot hide my bewilderment – Jimbo now has the camera and I feel it right on me. He comes closer capturing a lonely pensive moment where I feel sad for the state of this office. “Mr. Sean” he says. “You look so sad, like you are going to cry… why?” I am speechless for a moment and make some excuse…

In many ways it is my most memorable moment here yet, at that time I’m asking myself, why am I here? What am I doing? And in a way I’m feeling sorry for these people trapped in this place. In this office and in Japan.

Communism meets capitalism here – for a moment I’m back in Saddam’s Iraq

Later Mr. Matsui is joking around, pulling sleeping bags down from cupboards and placing them on the office floor. He gets me to climb in to illustrate how his staff sleep on the office floor when they’re working late. Jimbo gets four chairs on wheels, pulls them together and shows me his makeshift bed also.

Mayumi has been helping me with my research, I’ve seen her getting more and more tired. I was getting worried and wanted to say something to Mr. Matsui, but it may be interpreted as her failing to provide her duties properly so I didn’t say anything. Mayumi travels 2 hours to work each way each day, her last train leaves Tokyo at 11.30 and she is always back in the office by 10 each morning.

I notice Jimbo nodding off at his computer, it is 6.30 in the evening – probably another 5 hours to go before home time. I grab the camera and film him. It is a funny but shocking moment. Really interesting to see how people can sleep on their feet, in their hands or even just sitting facing the computer. Looking at Jimbo from behind you could never tell he was sleeping. It is a crafted skill he has acquired at the tender age of 23. In a busy place like this everyone turns a blind eye to the grabbing of 40 winks.

But being around such a committed workforce makes me feel guilty. I swan in and out of the office when I like. Casually getting out of bed at 2 in the afternoon after a heavy night on the town. This atmosphere makes me think that maybe I need to change… that maybe it is my fault that I am not getting any closer to the Japanese. I decide to turn a new leaf. At least try. My latest concept in keeping myself amused here is; ‘Becoming Japanese’.

A new working title. Filming Mr. Matsui – the head producer here, I explain that I need him to schedule me like the Japanese are scheduled, to order my day, to get me out of bed and out of the pub. This is going to be a clash of cultures where east meets west but doesn’t quite understand each other. The kind of thing that amuses my childlike mind. Mr. Matsui resists at first saying that he envies my ‘relaxed… casual approach to life… this not possible in japan….’

I insist that he attempt to organise me, I’ve been getting worried about doing nothing here and finding so many distractions/attractions elsewhere in the sleezy bars. Finally Mr. Matsui sits me down with his chart, ‘Mr. Sean’s Schedule’.

“OK Mr. Sean, what time did you wake up today?” “10am” I tell him from the behind the camera. He writes this down on his chart. “Then what did you do?” “I went for a coffee” he looks up at me. “Then what did you do?” “I went back to bed.”

I cannot hold back my laughter the camera wobbles as I giggle. It had been a particularly long night and I’d had difficulty getting the day started. Mr. Matsui looked bemused.

“Ok so what did you wake up number 2?” “12 o clock” I tell him. He writes this down. “Then what did you do?” “I went for a pizza.” “You went for a pizza?” He writes it down. “Then what did you do?” “I went back to bed.” “What!” Mr. Matsui leaps back shaking his head in disbelief. “Oh my god.. So what time did you wake up number 3?” “About half an hour ago before I came to your office.” He looks at his watch… it is 4pm. “Ok Mr. Sean we are going to have to get you organized.”

The irony is that there are still enough hours left before midnight, when this office will close, to squeeze in a normal day’s work, yet this office has been open since morning. I look over at jimbo nodding off. Later Mayumi reveals that she doesn’t like to nap in public and nips to the toilet when she cannot keep her eyes open.

This is the Scary Bit

Looking and not Finding…

I need to find someone interesting enough to keep me here and keep an audience engaged in this film. I’ve decided to film my search for the story as I feel I keep missing things… the Japan I’m discovering with new fresh eyes is not being filmed. I like to show this through my character but I haven’t found him or her yet. I need to know what I think and feel about this place first, which takes time. What is it I want to say about Japan?

I saw the Bukowski documentary a couple of nights ago in Tokyo of all places. I was feeling down and wanting to escape Japan and the thought of making this film. Japan sometimes feels so alien to me, which is funny seeing that it wasn’t so long ago that we foreigners were known as the ‘aliens’ here.

I was ready to throw in the towel, the challenge of starting a new film always seems like a mountain too big to climb. The truth is, it is actually like climbing two huge mountains one after the other.

Bukowski moved me, inspired me, in this documentary we feel like we meet him for the first time. He just soldiered on, he made me think I should. I’ve been thinking of taking up karate instead of drinking so much over here. The idea appeals, but each time I get close to walking through the door of the ‘spirit gym’ I find myself wandering away again.

It is hard to get inspired here. Sometimes I get the feeling, the urge… I know I want to make a film about freedom. Modern Japan reminds so much of life in Saddam’s Iraq. The safety I felt there I feel here, no one will touch me, nothing will happen to me. This is why I like Japan but also why I hate it.

I like seeing infants unaccompanied on the subway heading to school safely. This is how it should be, isn’t it?

Japan makes me re-evaluate the ‘freedom’ we have in the west. Occasionally I look over my shoulder when I hear a bang or crash, when a car pulls up close I get nervous. Living so long in lawless Iraq has left its scars and they are hard to erase. So I appreciate this safety now. Even if it means that its citizens often appear like wind-up dolls or robots, no one challenges, no questions … they just do. Why? Forget the word why? They just do. But I can’t forget why? It is my favourite word, and I’m beginning to miss it here.

Then it snows. I’m trying to make my way for a vegetarian Indian lunch, slipping and sliding on icy pavements. I come across teams of workers chiseling ice on hands and knees with hammers and chisels. It seemed crazy, “What are they doing??” I scream… robots… this place is crazy. I watched the meticulous operation, in modern Japan it looked very primitive.

Where this 1st world nation meets its 3rd world mentality.

I stand watching a man chipping away at one tiny piece of ice that now stands alone. It has no chance of survival. But it won’t disappear easy. I leave, eat my lunch and pass the same slippery pavement that is now dry and safe to walk on. It feels great to not slip and slide. It is now safe.

Suddenly Japan makes sense again, I’d got it wrong. I love this place. It is great. It makes sense.

My phone rings it is the instructor from the ‘spirit gym’. He says he is expecting me tomorrow. Now I know I must step through the sliding Japanese doors I’ve been avoiding. No way back.

Japan

Another Adventure

Another 12 hour flight seems about right to set me off on another film adventure. It’s almost 2 years to the day that I set off to Baghdad taking that dangerous unknown road.

But the results have been rewarding, the film The Liberace of Baghdad won several international awards including Special Jury Prize at Sundance, in Chicago and San Paolo and Best Documentary Award at the British Independent Film Awards. Such accolades haven’t helped sales though! – having re-mortgaged my house to make the film I’m still waiting for the film to sell one year on.

I always need time and space before moving onto a new film. For me the experience is all-encompassing and this can drive you crazy. If indeed you are not already crazy. Something I question more and more as I grow older and more stupid. My last film took me to Iraq for 8 months at its most dangerous watching friends being killed and kidnapped around me.

In many ways I feel I have been trying to overcome this. The unpredictable situation that developed around me, the dangers, the deaths and the kidnappings remain vivid in my mind as I think back to my time in Iraq. I wake up in cold sweats looking back at different things of could have been, I think of friends killed 28 year old Marla a passionate aid worker and others kidnapped.

Then I get positive and think it is time to move on!! To open a new chapter in my life, to try and close this last one. It is time to make a new film. I decide on Japan, why? Well because for me it has very interesting issues of freedom and reminds me oddly enough of Saddam’s Iraq. Just in terms of how people are told to think and operate out of loyalty.

So here I am two years on heading over to Japan. After making a film in the worlds most dangerous place I’m heading to the worlds safest. As I leave I see on the TV news the face of a friend staring out at me. It seems no matter how hard I try Iraq will not let me go. It haunts me day by day. I’m sat looking at the innocent face of a trainee journalist I knew in Iraq, Jill Carol 28, kidnapped and threatened with death if all female Iraqi prisoners are not released from jail.

Her interpreter was thrown out of her car and shot in the head leaving a 4-year-old without a father. It seems some stories will never go away. For 4 months last year I tuned into the news each night fearing the worst for another friend George. He was released after 4 months and only because he was French. Carol happens to be American.

The road to Tokyo

I’m sat in the limousine bus from Narita International airport to central Tokyo with a nervous excitement in my stomach. I’ve spent most of last year doing the festival circuit with ‘Liberace of Baghdad’ and now it is time to embark on another adventure. As a place to film; Japan is not without its difficulties, traditionally one of the most secretive and private societies where very few people speak English. I’d heard of the growth in English language schools and wondered why? When I looked further into it, it seemed many Japanese were learning English out of a growth in leisure and ‘freedom’ rather need for work or travel. The English school provided me with an opportunity to meet English speaking subjects for a film. I’d heard stories about the ‘housewives’ who would learn English in their afternoon breaks. They’d often not tell their husbands and would have secret fantasies for the English teacher. It only seemed sensible for someone like me to come as film maker/ English teacher to look at modern Japanese using the English school as a vehicle to freedom.

Snowmans Welcome

I meet my friend Atsushi at the 246 café near my hotel. It’s a very western café, with a faint smell of fish. But even that disturbs me, fortunately there are loads of people smoking and it kills the smell. Smoking inside? Seems rather liberal in Japan. And women smoking everywhere I look, probably more then men.

This super clean environment is smoke filled. Why? We sit and wait for two café latte’s I watch the array of beautiful women serving us. It is difficult to concentrate here with such beautiful women. I notice Atsushi seeing that I’m now ignoring him. He understands and gives up the conversation for just enough time for me look at little longer… Beautiful… apart from the smoke and that faint fishy smell. Then our coffees arrive. It is extra creamy, a latte like never before. And on top is a snowman designed specially for me by the coffee maker. I look over to Atsushi’s coffee there is no snowman. I smile, waft passing smoke away from my face blown by a gorgeous girl next to us and then I sip the coffee. It tastes better than most – I have another sip – in fact it is amazing coffee. I look down at the menu and worry about my vegetarian diet. How on earth am I going to cope here? But now I’m just enjoying the coffee, I take another sip. This is better than Italy I think to myself.

This is my first education on arriving in Japan; you can get everything you want here, and it will always taste better than anywhere you’ve ever tried before! The Japanese get lots wrong but rarely is it ever food.

News in Brief

Latest news in brief – Samir was over in Europe taking part in a piano festival in Paris. After this he came to stay at my house in Brixton for a month, during which time ‘Liberace of Baghdad’ won Special Jury Prize at the It’s All True Film Fest in Brazil and a Special Jury Prize at the Chicago doc fest. I choose to attend DocAviv Film Fest in Tel Aviv where the film was in competition – one of 10 films selected out of 300. I did a masterclass on my approach to doc film making, and met up with some old ‘war mates’ – journos from Baghdad. Samir was too afraid to attend though, he is worried about going back to Baghdad after being in the West for over 4 months, if news got out that he’d been to Israel he could become a target.

Back in the UK Samir played a small concert in the bar at my local cinema.. The Ritzy in Brixton, London. My agents PFD had kindly donated money for the hire of a Baby grand. The evening was sold-out and a great success. The next day we headed up north to my hometown, Hull, where the film was playing in a small art house. We were met by local TV camera’s filming our visit, we travelled on Hull Trains who had kindly sponsored my trip home. First stop was fish and chips for the t.v cameras, though Samir could not understand how fried potatoes could be eaten with fish!! We did a question and answer session with a keen audience after the film and watched ourselves on local telly. Although going for a pint in The Minerva Pub with my dad proved difficult and embarrassing – we suddenly appeared on the telly to the amusement of the whole pub. They all cheered “See ya later Liberace!” as we left.

It was back to London and the big goodbyes again. The goodbyes, that are normal for Samir’s family, split between Iraq and America, have become the same for us now. Each time he leaves it is from the same terminal at Heathrow, he cries worried we will never meet again. I know we always will. Then I go to Dublin with the film, and then onto Prague’s Oneworld festival where a I discover the young woman programmer with strange PC tastes almost barred Liberace of Baghdad from the fest because they saw Samir as a chauvinist! new forms of censorship rise from former communist states it seems! What misjudgments, someone who has really missed what Samir was showing them. Instead of being offended this woman should have felt privileged to have an insight to this man’s world, bearing himself honest and open with all his human imperfections.

Well at least the beer is always good in Prague, even if the beautiful city has been destroyed by British/Irish groups over there on sex/beer trips. Reminds me why I find the Middle East so attractive and what I hate about my homeland.

I am now in and out of meetings with ‘Working Titles’ Eric Fellner (Europe’s biggest producer), and Jana Bennet Director of Programmes at BBC along with various people at the Film Council about my next ventures. I’m looking at raising money for a film in Japan and /or Ethiopia as well as plodding along endlessly with my drama project that has been on the go for 3 years with BBC Films. Watch this space!